Three Photographers that inspire me:
Born in Canada, 1970 however later grew up in West Texas. He became famous for his work with Haitian refugees that were trying to sail to America, a boat which sank in the Caribbean. This work marked the emergence of his ‘emotionally charged’ style which has characterised his photography for nearly two decades. This style largely focuses on person and place and majority of his work emphasises the despair experienced by people in troublesome areas such as the war torn middle east. In one sense however, he looks to empower people who are experiencing these hardships to portray them more meaningfully through use of light filters and low angle shots. A number of his photo albums portray demonstrations, rebellion and protest; an issue he evidently feels very strongly about, which is a passion I too share.
A German based photographer born in 1922, Erich Hartmann similarly attributed a great deal of his work into empowering individuals through the use of his angular perspective. The height of his career centred around German troops in World War II, and he effectively conveyed stories of camaraderie and mateship from non allied viewpoint. Despite this, he also focussed a large portion of his work in the United States particularly after 1960. One of his most prolific signatures of work is the use of distorting photographs to entice audiences to interpret meaning as an individual. Motion blur also is successful in adding an element of obscurity to the photograph, as well as the concept of a part of a journey as the image is only a flicker of a larger story. Being an early based photographer, the majority of his work is in black and white, the effect of this however is very successful when considering the context of his photographic work. His focus is very similar to Anderson which consistently conveys a link between person and place.
Goldberg is another photographer who continually impresses through his effectiveness in conveying significant depth and meaning of individuals through photographic representation. His work reached it height through the late 1980’s and through the the 1990’s however continues to work as a successful photographer today. His portrayal of image and text make him a landmark photographer of our time. A majority of his work juxtaposes stereotypically upper class and wealthy people with their polar opposites, the poor and underprivileged. It is through this he became well known in the 1970’s and continued to use this line of work as his signature throughout his career. His connecting of people to place is very powerful in the majority of his working portfolio’s, where his contrast seemingly empowers the poor and highlights the at times ‘overwealth’ of those on the other end of the spectrum. He does this through angle’s and light filters which portray a vastly different image of perceived sterotypes.